My work is influence by the modern society that surrounds us. Buildings, machines, computers, and the continuous flux of our environment. I look at heavy industry and items that our civilisation constructs. I am fascinated by its continual degeneration and renewal.

I use industrial processes, materials and ways of fabrication, which are not usually found in the traditional Gold & Silversmithing domain. I then combine them with more traditional techniques to form my objects. These objects are fitted and fixed together with methods like binding, interlocking, lacing and slotting of the component parts. I also draw upon found objects that carry a history, which I usurp and bring into another context.